St
Andrew's Church stands in the unfrequented stone belt of South Lincolnshire and
was largely rebuilt, apart from the tower, about 1358 by the Pickworth family
and ten years later the Black Death had swept away one third of the population,
including most of the elderly. The church is built almost entirely in the
Decorated style of English Gothic architecture of the 13th and 14th centuries,
with a broached spire and an unrestored interior of old pews and a plain 13th
century font, whilst an ancient sedilia and a piscina with carved leaves and
ugly heads are still in evidence. The south door has been there for 600 years
and its decorative ironwork forms the letter C above and below in honour of St
Clement the Martyr (100 A D), the patron saint of the smith. There is a
mediaeval rood screen of the most delicate workmanship, a two-decker pulpit
still with its hour glass stand from 1693, altar rails dated 1767 and important
wall paintings from the 14th century.
The rood screen under the chancel arch is 600 years old and by 1964 it was in a
very poor condition with the lower section collapsing and parts of the decoration
missing but it was restored with consummate skill by Mr J H Palin who
reproduced the missing coving, destroyed in 1566, redecorated parts hidden by
unwanted coats of varnish and replaced the decaying beam on which the screen
rested. Like the 14th century woodcarver who created this work, Mr Palin was
left-handed and he was later honoured for his fine craftsmanship with an award
from the Architects' Association.
The figure of an early 15th century headless female saint still stands on its
corbel and there are beautifully furnished chapels. Above all, there are the
wall paintings and they are really what matters at Pickworth but as so often in
England they are far too badly preserved to be enjoyed. The murals were
originally painted circa 1380 but were partly obscured during re-roofing a
century later and covered by white paint circa 1540. They were re-discovered
during the Second World War when a bomb fell near the church and displaced
large chunks of the whitewash. Mr E Clive Rouse set to work and by carefully
chipping away the plaster, gradually uncovered the paintings which were finally
revealed in all their glory when his work was completed in 1950, depicting
scenes from the Bible, the lives of the saints and examples of the moralities.
If one wants to enjoy or indeed to study them, one must look at reproductions
and fortunately the church provides a clear broadsheet guide for visitors.
Doom, or the Last Judgement, is over the chancel arch depicting more than sixty
figures and on the nave south wall three figures are sizzling in that very
cauldron but opposite is first the ascending Christ, then the Three Quick and
the Three Dead, then the friendly figure of St Christopher while one of the
north arcade spandrels contains another picture showing the Weighing of Souls.
They are all precious as examples of 14th century art and devotion.
This church is a favourite of Prince Charles and he came here to see the wall
paintings in 1971 while learning to fly at nearby R A F Cranwell but found it
locked although he returned in 1988 when his visit had a more successful
outcome. If anyone wishes to make the pilgrimage to Pickworth, they will find
their visit well worthwhile and the key to the church is now available from the
house opposite.
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