St DENYS ASWARBY
This is a most graceful church, standing on a corner site within the village,
but seen first across the delightful park. A tower, with a slender set-back
spire, rises up at the west end. The nave, heightened with a battlement
clerestorey, has no aisle on the south side making the body of the church appear
tall. This effect is further emphasised by the pointed windows of the nave and
steeply gabled south porch.
The chancel and south porch both date from
the 19th-century but the rest of the church dates from the Decorated and
Perpendicular Gothic periods. That is, apart from the splendid south doorway
which is the earliest surviving part of the church and is late Norman. The bold
semi-circular head has three decorative orders including one with vigorous
zig-zag motif. The door itself, although Victorian, is also worth examining with
its long strap hinges and pierced ventilation panel at the base.
Inside
the church has a lovely anitiquarian feel. The congregation sit in wood-grained
box pews. This can be advantageous in winter as each has its own fan heater! The
squire and his family sit in a more decorative family pew raised up on the north
aisle.
Other joinery details worthy of note include the 18th-century
panelled pulpit with fluted corner pilasters. On the front a finely carved
Whichcote coat of arms. Of a similar date are the oak altar rails with turned
bobbin blusters.
The North aisle contains the site of the Whichcote
family tomb with a raised platform surrounded by early 18th-century
railings.
There are other memorials to members of the Whichcote family,
including a large white marble plaque to Marian Lady Whichcote who died in 1849.
She is shown in side relief seated with a book and a lamp standard which has a
coiling snake - the symbol of eternity. The sculptor was T. Campbell. In the
nave is a granite monument to George Bass who discovered the Bass Strait between
Tasmania and Australia. He was born at Grange Farm in Aswarby Parish and
baptised in this church. This would have been in the early round tub font which
dates from the late 12th-century. It is clasped by four squat piers with spread
out leafy capitals. The oak lid is modern and topped by a winged bird on a ball
finial.
The stained glass in the eastern window at the end of the chancel
dates from 1892 and is in memory of Sir Thomas Whichcote. It depicts scenes from
the life of Christ, and in the tracery above are nine holy angels.
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